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There is a certain ether between African- American and original African
sensibilities. And because one could easily feel it in the soul, music
becomes the expressive platform. Moreso nothing has really been lost
ever since African-Americans finally got delivered by the sacrificing
of Malcolm X and Martin Luther King, Jr. These were felled in the
sixties, when the likes of James Brown, The godfather of Soul and Fela
Anikulapokuti, Nigeria's King of Afro-Beat founded their pervasive
music idioms. African music especially when perceived consciously, carries a certain inner feel with an outward expression. This feel, which is not uncommon to the human race, becomes more meaningful to the African, because of the vicissitudes of survival in a harsh world. This is usualand common to the Irish, but to the Arabs it may be subjected to the dicta of Islam. Yet before Negroid Africans were enslaved on American plantations, some earthy originality was perceived by the first White man that landed on the continent. That is the origin of the brotherhood of the African rhythm, beat and harmony between Fela and James, Fathers of the Funk! So there is certainly that ether, which remains pervasive; therefore, on reading a recent story on James Brown, there was not missing the contemporariness of the two. Born into a well to do family, Fela was privileged to be exposed to the racial injustice of the sixties in America. But James Brown was part and parcel of the demeaning crust of the American excitement. This, Fela would later find uncomforting through indoctrination from the peers of James. There remains the soul connexion, undoubtedly. A privileged African witnessing the incapacitation of his kinsman - a soul brother. That is why Fela abandoned all that stuff about classical music, which he studied in the Royal College of Arts in the United Kingdom. Fela needed to come home to Nigeria, because he wanted to be home, lest he miss the sixties evolution of his country. It might have been a replication of the American society, where the ruling class were emulating the Whiteman, and, of course, seeking riches to support lifestyles through corruption. And it was not as if Fela's radicalism, the contending opposite, was born solely out of his African-American brother's prejudice, but being the son of the first woman to have driven a car in Nigeria, he was born perhaps with that derring-do. So that guy was naturally equipped with the pains of black and Americans and that of his mother, who finally got thrown down from a one-story building, dying afterwards because of the impact. Continued On Next Page (African music, Page 2) ... AUTHOR: Efefiong Akpan TAGS: Entertainment Music africa america reviews BOOKMARK: Digg it | Add to Del.ICIO | Add to FARK ACTIONS: Comment Save Print Register free acount |
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