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Seven Mary Three: Spotlight on Jason Ross

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"A writer may describe the ugliness and pain in graphic terms but he can also try to find the dignity and significance in ruined parts of the city in the people he sees there." --Don DeLillo, regarding urban scenes in the novel Great Jones Street.

The best writers do this very effectively, even if not without effort. The very best often weather negative scrutiny -- even derision -- to further pursue the muse too persistent to really leave forever.

I went to a live Seven Mary Three show this past Monday night -- categorically, one of the best I've ever seen. I was able to meet everyone and get autographs, pictures; something I have never really cared to do with any band, ever. Perhaps the most intimidating part of it all was meeting Jason Ross, shaking his hand. Not imposing in stature or demeanor: dressed in a torn Wrathchild tee-shirt that had seen its better days nearly a decade ago, tan cords and Chuck Taylors, he could've been a guy walking up to mow my lawn for $50. Immaterial: I was meeting arguably one of the greatest and most underrated poets of my generation.

Finding dignity where it's seldom sought in illusive hope, ...This Kansas wheat won't break us and another drink won't make us free. The oven's wide open, hold your breath and see. Hold your breath and see... (Oven, Rock Crown) and uncomfortable distinction, ...The way his arms float around his cage, he's caged; canary sings, silently brings, his voice to rage. The way they stop and stare, the way they turn their heads; it's enough to make him want to run away. But he stays, he stands his ground... (Lame, American Standard), Jason Ross consistently glorifies an entire faction of outsiders, dreamers and social misfits; makes them downright beautiful. He is one of the most prolific and eloquent purveyors of the real human element of this era in all its variant shades and hues, and he creates an ever-evolving personal musical tapestry. His distinctly Southern flair for telling a story of poignancy laced with dignity is reminiscent of Blue Roses and Streetcars.

In contrast to the more open and boisterous personalities of the other members of the band, Ross is sometimes perceived by fans as comparatively unapproachable. He is admittedly quieter and more reserved, though (for my experience) just as kind. He seems a little stunned by the assertion that he is among the greatest contemporary poets of our generation. In fact he seems genuinely demurred, Thank you very much, he interjects to the question of whether some of the setbacks they've endured as a band coupled with what outwardly appears as his own reticence of being a 'rock star' make his writing talent seem sometimes as much a curse as a gift. I wouldn't say that at all. I knew early on I had to find some way to express myself creatively; if it was film, music, writing...whatever. This happened to be where (my creativity) went. But I feel very fortunate to still be doing this, even if it is sometimes a little overwhelming.

Defining the most personally painful and simultaneously quiet facets of loving someone up close, too young, ...Do you think it's just enough to know how I wanted you to feel. Read things back to me, back up to see from where I am. There is nothing more than this, more than this. Is it enough to say that I want you to keep it close to me? Me, me is all I think about, but every word you say. Do I mean anything?... (Anything, American Standard) and from far away as a grown-up, ...You invent for me a usefulness And Ive started getting used to it: What I miss when Im not there... (By Your Side, Dis/location) Ross's writing revels in universal experiences few are willing to admit, let alone embrace.[BB]

Given the personal depth of his writing, I'm curious whether he's a spiritual person. Surprised by the question, he pauses for a moment, considering, Hmm, I don't know... he says, mulling a response, I think spirituality is a way for people to address pain in themselves; to not feel like they're the only ones. An awareness of how the things we do affects everything around us. And yeah, I'm affected by the things that go on around me...that awareness. I think all artists are filters in that way, really. They take what is going on and interpret it; they shape it into what they see.

His lyrics possess a very literate sensibility. With references and even a couple of homages to some of the greatest classic writers, poets and playwrights in history -- Allen Ginsberg, Dylan Thomas, William Butler Yeats, Samuel Beckett and most recently Ray Carver -- he's managed to apply them quite universally, without the appearance of heavy-handed intellectualism and has made them something to which any one of us could readily relate, whether or not the the parallels are realized. An unusual combination of cerebral and visceral, there's something uniquely inspiring about his bent, Yeah, some of the earlier references were what I was reading in college, but there's a running theme of whatever I'm reading in one way or another I guess, he offers, adding Right now, I'm reading a lot of (Don) Delillo, (Ray) Carver, (John) Steinbeck, (Kurt) Vonnegut...I'm working my way through the entire series of Delillo. I like him.

Asked if he still gets nervous before shows, Ross replies simply, I get nervous when we don't have shows, y'know? When we take off for more than a week or so, I get restless; I feel like I should be doing something. I need to be out there, contributing; communing with an audience. I really miss it when we're not on stage.

Any nervous habits in general? He replies without missing a beat, I pace. A lot. I used to smoke, but I quit two years ago, this explains in part, why the characteristic growl has smoothed somewhat since previous releases, Did the gum. People really don't realize how hard that is to do; to quit smoking.

A staunchly-held position among critics following the release of their first album American Standard held Seven Mary Three to an unfair caricaturization as 'Pearl Jam bubblegrunge' with an 'Eddie Vedder wannabe' at the helm. The premature assessment undoubtedly shadowed some of the very concrete validity of their ensuing efforts for a number of years.

Regarding the inevitable question of his current position on the critics' rather dismissive early-on categorization of the band, he responds easily, philosophically, and with another surprising measure of unpracticed humility, You know, that was a really incredible time in music; the late eighties, early nineties. We really had so much come out of that time that was almost lost, coming out of the excess of the early eighties, trying so hard to counter the 'image' and just get back to the music. Vedder's an incredible artist with a lot to say and I think on our first album, when we were 18 or 19, we did sort of pattern ourselves after what was the market...and they were definitely part of that market. But I think in the albums since, we've all developed in our own directions. I feel like we've stepped well out of that shadow.

As we have grown, so too has he. His lyrics, always a step-above, have evolved from epithets to lost groupies to reflections of genuine admiration for his wife's intelligence, uniqueness and fortitude; from borderline self-loathing to what seems a version of self-acceptance of who he is today; from a twenty-something to a thirty-something. They still reflect us beautifully, those words...maybe even better: just listen.






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USA says on 2012-02-12 01:30:33 about PqcQchxYpV
rspRgu Internet is written with the capital letter in a sentence, by the way. And hundredths are written not with a point but with a comma. This is according to the standard. And actually everything is very good..!










Kevin says on 2005-01-11 23:40:01 about
Excellent article, Robin. I agree, Ross is one of the most talented writers of our day, and definitely not fully appreciated. Thank you for helping to put the word out.










robin says on 2004-07-24 14:22:14 about
WOW! Thank you so much Rachael! You won't regret the buy either: the CD really is great!










robin says on 2004-07-24 14:21:31 about
WOW! Thank you so much Rachael! You won't regret the buy either: the CD really is great!










rachael (no nickname, thats me!) says on 2004-07-24 13:10:53 about
I forgot to say that now I will buy this bands cd










rachael says on 2004-07-24 13:10:07 about
Robin your poetic and your writing touches deeply thanks!









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Robin Sisson
Publication in online venues and local print media

I've covered music and movie reviews for a number of venues in both print and online media. I consider myself something of an 'anti-pop culturalist', as my tastes tend more toward the obscure and genuinely talented over the flavor-of-the-month.



Think Big! Think the World's Largest International Trade Show
DSE is the world's largest international trade show and conference dedicated to digital signage, interactive technology and digital out-of-home networks and it will be taking place from March 6 to March 9, 2012.




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